Do it and you’re basically pumping up the white subpixels, so you’ll end up something that looks like an older backlit LCD TV: A picture with a washed-out color palette. Note that the C1-series can also pump out a lot more brightness than they default to however, that feature is not particularly useful. The number of times you’ll see such artifacts outside of a benchmark disc is exceedingly low, and there’s always that gorgeous black to compensate still, LG touts its latest image processor, so I was expecting better. That was something the older E1-series aced. It glitched mildly during a Spears & Munsil motion test that has multiple bands moving across the screen at different speeds. There was occasional moiré, detailed pans occasionally jumped, and even cranking the judder reduction to max didn’t give me quite the result I was looking for. It’s good, it’s just not great as I remember from my experience with LG’s older E1-series. That said, I wasn’t overly impressed with the C1-series’ motion handling, or its processing of fine patterns and detailed pans. LG’s OLED65C1PUB 65-inch OLED delivers a lush picture, but didn’t handle detailed pans or motion as well as some pricier OLEDs. Watching real-world material is simply a richer experience. It’s not as sharp as LCD TVs, but it’s sharp enough, and the contrast offered by self-emitting pixels that shut off completely to produce a true black is amazing. I’ve already gushed over the lushness of OLED-it’s simply a different ballgame from LCD, even allowing for such advances as mini-LED backlighting and dual-LCD.
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